Sony stands behind its digital projectors, claims the only thing ruining movies is Russell Brand

In case you missed it over the weekend, the Boston Globe published an article stating that the misuse of 3D lenses on Sony 4K projectors is drastically reducing the amount of light and color in digitally projected 2D movies. Sony Digital Cinema has finally responded with a list of "The Facts" that reiterate information some readers have posted in our comments and that we've obtained from individuals working as projectionists. They claim that contrary to the Globe's information, the projector technology used as described isn't to blame for poor picture quality. Notable items on the list are that the Sony system does not alternate between two images rapidly, changing the lens takes less than 20 minutes, the RealD 3D filters only reduce light output by 20% (not 85%), and if the lens can't be changed, then it's still capable of playing back content at 14fl (foot lamberts) which is within the recommended specs for brightness.

All of these go directly against information from the original "Deep Focus" source, although it still doesn't explain why they could see such a marked difference between films in the same theater being projected digitally or on film. However, simpler explanations like an old and weakened bulb, a film projector set outside the specs, or unintentional misconfiguration could account for all of that. Until this is sorted, all we can recommend for your summer movie viewing is that if you do see anything out of order, don't let that jumbo tub of popcorn and Icee slow you down -- complain to management loudly and quickly to get the picture fixed. Check after the break for Sony's claims, as well as more detailed information from a projectionist we spoke to that broke down just how the technology works.

Sony Digital Cinema

Google I/O 2011 recap: Chromebooks, Music Beta, Movies and more

And that, as they say, it a wrap. We've departed a shockingly sunny San Francisco, but not without a huge helping of Google news to mull over on the long ride home. In typical Goog fashion, the outfit served up a double-dose of keynotes this year, both of which seemed to delight both developers and media alike. Sure, no new superphones used the show as a launching pad, but plenty of other nuggets were unearthed. From the reveal of Music Beta to the official introduction of the world's first commercial Chromebooks, the 2011 edition of Google I/O packed plenty of punch. If you missed even a second of our continuous coverage, we've got you covered -- the best of the best is recapped below. We'll see you next year, I/O... you bring the tiramisu, we'll bring the Ice Cream Sandwich.



Keynotes / liveblogs:

Day 1: Music Beta, Android 3.1, Ice Cream Sandwich, Open Accessory, ADK

Day 2: Chrome, Angry Birds, Chrome OS, Chromebooks 

Netflix seals deal to stream Miramax movies, starting in June

Netflix has just gone and scooped up another big content deal for itself. The movie streaming service has tied the knot with Miramax on a multi-year agreement to allow streaming of films from the latter's extensive library. Pulp Fiction, The English Patient, Kill Bill, and hundreds of others will be added to the Netflix Watch Instantly catalog on a rotating basis, starting next month. This marks the first time Miramax flicks have been available on a digital subscription service. An agreement between these two companies was last rumored in March, with a five-year term and $100 million price being mooted as the likely parameters for getting it done. Neither outfit would disclose the cost to Netflix, but the benefit to you, dear subscriber, is pretty obvious. Full PR after the break.